The Telescope presents: the top albums of 2017. We gathered best-of lists from contributors, crunched some numbers and came up with a list of records that unanimously wowed us last year.
Mura Masa’s set was hands down the best thing at WayHome this year. Sure, there were also giant electronic artists like Flume, Justice, and Marshmello on what turned out to be the festival’s final line-up, but young Alex Crossan (he’s only 21) had the audience at the side stage of the Oro-Medonte grounds dancing like no one was watching. To be honest, it became next to impossible to bust out any of your best moves; it seemed like every attendee decided to cram into the smallest performance area of the festival to see what they were missing.
And what were they missing? An actual live performance, complete with Mura Masa on drums and live vocals. So rare in the electronic world!
Anyone who’s listened to the twice nominated 2017 release can tell you that it’s a strong contender for Best Dance/Electronic Album, and not just because it features artists such as A$AP Rocky, Charlie XCX, and Damon Albarn. From beginning to end, the beats are varied and the vocals diverse, but the consistency in quality is there. Not once is Mura Masa boring. Not once.
Still not sure if Mura Masa is for you? “But I haven’t heard anything from the album,” you may protest. Of course, you have; it’s hard to escape “Love$ick.” Have a listen. I promise it’ll sound familiar.