It’s important to keep Partner’s mission statement in mind while watching this one: “Partner is funny, but not a joke.”
It was certainly no joke for the two other people in the store. The Sackville duo managed to annoy them both in short order (“NO FREEBIRD”). They probably didn’t even go in there to buy anything.
“Long and McQuade” is taken from Partner’s new Saturday the 14th EP, out April 5.
Mitski’s having a pretty weird day.
She seems to be taking it all in stride though, leading me to wonder how often some of these incidents occur, especially that next door neighbour – talk about invading personal space!
When you break it down, “Nobody” is a sad song in disguise. You too will want to sing into your hairbrush and dance among cardboard cut-outs when you hear it, but make no mistake, you are singing about loneliness and rejection, plain and simple.
Being lonely has never sounded so catchy.
“Unfortunately for them, an Alien came through that door instead of her husband.”
Sleuthing reveals this clip is from the 11th episode of the short-lived British TV series, UFO. Exactly why Romano chose it to accompany his “Long Mirror Of Time” will likely remain a mystery, but it fits nonetheless.
“An injured Alien stumbles into a lonely cottage and is shot down by Liz Newton and her lover Cass Fowler. Liz and Cass are taken to SHADO HQ for questioning… the Alien’s death was no accident!” Let’s hope the Alien’s costume and make-up were an accident—even for 1970, that’s a pretty lame extra-terrestrial.
“The Long Mirror Of Time” comes from Daniel Romano’s Finally Free, out late last year. As a concept, said mirror emerges in several of the album’s songs. No mention of off-world invaders, though.
That synthesizer. There’s no mistaking what’s coming next when you hear it.
Congratulations to Corey Hart on his upcoming induction into the Canadian Music Hall of Fame! If you want to catch the inductee live, he’ll be playing Toronto’s Budweiser Stage on June 14.
“Don’t switch the blade on the guy in shades, oh no”.
Whoa. I was not prepared for this video. It starts out innocently enough; Moses Sumney walking on an isolated, rocky shore. That is until he encounters a mermaid on the beach. That’s when things turn creepy.
Sumney recently tweeted “from now on gonna sing more in my lower register and less in falsetto, don’t be alarmed it’s just growth.” I’m all about growth, and Sumney sings beautifully regardless of register, but you can’t deny that his incredibly high falsetto is key to the disturbed feeling you’re left with after watching “Lonely World”.
My entire perception of mermaids has gone completely out the window. As it turns out, they are not the friendly Ariel in Disney’s The Little Mermaid, but instead something much, much darker.
I’ll be the first to admit that I’ve been guilty of many a solo dance party in my living room. The next time that happens (i.e. tonight), I will totally be copping some of FEMME’s moves. Who doesn’t appreciate a good hand snap, shimmy, and crotch grab?
Of course, those fancy moves will never leave my home and will only be witnessed by my cat – who’s always a critic – but maybe I will. Ok fine, not the crotch grab.
My point is that I should get out of my shell. As NOVA says, if I’ve got something to say, don’t be shy, don’t delay. I’ve never been one to shy away from voicing my opinion, but perhaps it’s time I start to confidently express myself through dance. 2019 is my year.
“Dance like no one’s watching,” they say. If you’re having trouble with this concept, “Be Shy” is the perfect step-by-step video on how it should be done.
The Telescope presents the top albums of 2018. We gathered best-of lists from contributors, crunched some numbers and came up with a list of records that unanimously wowed us this year.
Behold the malaise of modernity in 1080p: stroller protests, masturbation and Leonardo DiCaprio (see above) rolled into a tension bomb with a short fuse.
This third Bodega—at least, after well-known Scottish and Canadian incarnations—was birthed in Brooklyn, from the short-lived Bodega Bay, and arrives fully formed for their debut—these aren’t new kids on the block.
Endless Scroll (note the double meaning) is a critique of everyday life that grieves our inability to escape computers and the Internet and lingers on mundane happenings as compensation. Nods to post-punk greats (Wire, etc.) are obvious, but modern showboats like The Two Koreas come to mind as well.
Bodega succeed because they never take themselves too seriously. They’re endlessly cool, and look like they could probably kick your ass, too.